Rafael Sabatini

Rafael Sabatini

The Red Owl (1900)

Summary

Portrait of Rafael Sabatini Rafael Sabatini,  The Red Owl (1900)

“ In a moment of levity, spurred by the praises of Richelieu which I had heard fall from the lips of one of those cardinalists whom I hated, I had dared to vent my feelings in a poetic satire of twenty-stanzas. I had called my poem “The Red Owl”; and albeit my craft as a poet was of a sorry character, the secret detestation in which the Cardinal was held by many of those who cringed in fear about him, rendered my verses more than acceptable. ”
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini,  The Red Owl (1900)

“ Simon to me, and ever and anon to the figure on the couch, was now bent full upon me.
“It is regrettable that I did not arrive a moment earlier, so that this tragedy might have been averted.” Then, suddenly recognizing the face of him who lay upon the couch: “What!” he exclaimed in astonishment, “De Brissac fallen at last! Ma vie, M. de Rouvroy, you have wasted no time since your return.”
Suddenly Brissac stirred and clutched my arm with his hand, striving to raise himself.
“Ah,” he muttered in a faint voice, “Monseigneur has come to me. I may die content.”
”
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini,  The Red Owl (1900)

“ I did not breathe freely until I was out of France, for at every moment I expected to be confronted with some potent messenger who would bid me return to Paris and acquaint his Eminence with the meaning of those rash words spoken in the presence of Moinier.
But, as I afterwards learnt, it was not until twenty-four hours after my departure, and when I was already well beyond pursuit, that the Cardinal was informed of my absence. The letters which I received at Stockholm from my uncle gave me certain tidings concerning Richelieu's attitude, calculated to quench any eagerness of mine to return.
”
Source: Wikisource

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