Ray Cummings

Ray Cummings

Summary

Portrait of Ray Cummings Ray Cummings The Soul of Henry Jones (1920)

After a moment the moon came from behind a flying cloud and the water was lighted with silver. Henry sighed rapturously.
For perhaps ten minutes he sat motionless. Then abruptly coming from up the lake he saw a lone canoe. It was hardly more than two hundred feet off shore, and was heading downward, across the wind. Henry could see it plainly in the moonlight—a canoe with a single occupant, a girl, seated in its stern and paddling with a single paddle. The empty bow of the canoe rose high in the air.
Henry watched it with furiously beating heart as it rose and fell on the silvery waves.
Source: Gutenberg

Portrait of Ray Cummings Ray Cummings The Soul of Henry Jones (1920)

Probably it was the better kind, she often told herself; and yet—because she was only human, and especially because she was a woman—there were times when, underneath the prosaic contentment of the daily routine of her married life, she found herself wanting something more. For Henry was neither in looks nor by nature inspiring to the female mind. But he made her a good husband; Martha knew that, and she loved him and was content.
This was Henry Jones's wife—not the woman he knew—but the real woman, as she was on this summer morning when his soul suddenly expanded.
Source: Wikisource

Portrait of Ray Cummings Ray Cummings The Soul of Henry Jones (1920)

Martha lay quiet, gazing up at him as he silently bent to his work. Music floated to them over the water. Another canoe passed, with a boy and girl in it—a girl who reclined in the bottom playing a guitar. Henry—with a great consciousness of equality—waved to them in friendly greeting.
Then all at once he shipped his paddle and leaned down to his wife, letting the canoe slip forward unguided. Her eyes were wet and shining; her hand stole upward to meet his.
“Life and—and everything is wonderful, isn’t it, dear?” said Henry Jones.
Source: Gutenberg

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