Reginald Thomas Maitland Scott

Summary

Reginald Thomas Maitland Scott The Spider Strikes — The Body on the Floor (1933)

It was Richard Wentworth's riding crop, and the dog placed it across Nita's green-clad knees.
The girl took the crop in her hands and held it tightly. Her deep, blue eyes stared down upon the rolling clouds of mist over the river as if she sought for something beyond human comprehension. Presently she began to speak her thoughts aloud.
"I can hear music," she said softly. "Somewhere out in the world, he is playing his violin. He may be in Africa or in India or he may even be in New York City. One never knows, Apollo."
Source: Wikisource

Reginald Thomas Maitland Scott The Spider Strikes — The Body on the Floor (1933)

The huge dog, transfixed, towered above the girl in the green pajamas, while, two days from shore, a man played a muted violin and voyaged upon the course of his destiny.
Then came the swift, shocking change. The sweetness of the haunting music was gone, and in its place was the crashing wildness and the devilish angriness of Tartini's great violin composition, The Devil's Trill.
Nita Van Sloan opened her eyes in horror while the dog bared his big teeth in anger at the sight of his mistress so upset. Perhaps the dog even caught the message of the angry chords.
Source: Wikisource

Reginald Thomas Maitland Scott The Spider Strikes — The Body on the Floor (1933)

Her pride of family and her spirit of adventure carried her into the dark apartment.
But she did remove Apollo's muzzle and slip the leash from his collar. "Might as well be ready, old boy," she said.
The dog surged ahead into the darkness. He knew that apartment, and he knew who lived in it. It smelled very good to him in the darkness as he stopped to sniff. A dog's nose leads to his heart.
Nita found the electric switch and illuminated the hall of the apartment. It was a large hall and indicated a very luxurious establishment.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature