Reginald Wright Kauffman

Reginald Wright Kauffman

Summary

Portrait of Reginald Wright Kauffman Reginald Wright Kauffman Money to Burn — XXV. The Buenos Aires Woman (1924)

Behind him followed a sturdy, boyish person with frank eyes and a shock of tow-colored hair, and behind him—and quite as if he were glad to accompany them—a broad, big, genial gentleman, carrying a Malacca cane strapped to one wrist, a gentleman immaculately clad in speckless white, whose dark glances flashed from the now incarnadined Miss Greene to the group about the desk, and whose fat hands were lavishly decked with rings.
“Well?” snapped Boyle, who had no intention of betraying any lack of omniscience. “Let's hear what you've got to say, Mr. Hoagland.”
Source: Wikisource

Portrait of Reginald Wright Kauffman Reginald Wright Kauffman Money to Burn — XXV. The Buenos Aires Woman (1924)

Farley, as if I was looking for them, too, and put them on the wrong shelf and found them there. Nobody'd ever suspect me,” she said bitterly to Boyle; “but I guess this—this beast copied them while he had them. Only, I give you my word, I never dreamed he'd lied—not till months afterward.” She turned on the fat Lothario. “You're a crook,” she said to Don Ramon, “a crook! And I want you to know that, since I found you out, I've—I've become engaged to an honest man—I've become engaged to Mr. Farley.”
Source: Wikisource

Portrait of Reginald Wright Kauffman Reginald Wright Kauffman Money to Burn — XXV. The Buenos Aires Woman (1924)

Not so the little secretary of the treasury. One sidelong glance showed him the drawn pallor of the suspected man's careworn face and the stoop of his shoulders, which recent worry had forced there. The secretary kept intact the genuine heart of the old-line politician; he kept it firm, but in the right place, and so he now blustered in his fussy manner to cover a regret quite honestly poignant.
“Mr. Farley,” he finally began, “the government, as you are well aware, is most disturbed.
Source: Wikisource

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