Summary

Portrait of Richard Francis Burton Richard Francis Burton The Land of Midian — Breaking New Ground to Magháir Shu’ayb…

Even the palms are peculiar. Their tall, upright crests of lively green fronds, their dead-brown hangings, and their trunks charred black by the careless Bedawi, form a quaint contrast with the genteel, nattily dressed, and cockneyfied brooms of Egypt and the Hejaz. And that grandeur may not be wanting to the view, on the east rise the peak and pinnacles of the Almond Mountain (Jebel el-Lauz) , whilst northwards the Jebel el-Za’nah, a huge dome, forms the horizon.
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Land of Midian — Breaking New Ground to Magháir Shu’ayb…

The general appearance of the station-basin is novel, characteristic, and not without its charms, especially when the sunset paints the plain with the red, red gold, and washes every barren peak with the tenderest, loveliest rosy pink. Under an intensely clear sapphire-coloured sky rises a distant rim of broken and chocolate-coloured trap-hills, set off by pale hillocks and white flats of gypsum, here and there crystallized by contact with the plutonics.
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Land of Midian — Breaking New Ground to Magháir Shu’ayb…

They have not struck the chief vein’ if any exist; but, during the heavy rains of the Kharif (“autumn”) in the valley of the Túmát river, herds of slaves are sent yearly to wash gold, and they find sufficient to supply the only known coin—bars or ingots.
Beyond the Siyághah, the left bank is gashed by the ravines draining the south-eastern prolongation of the “Yellow Hill.” Water cuts through this rotten formation of rubbish like a knife into cheese; forming deep chasms, here narrow, there broad, with walls built up, as it were, of fragments, and ready to be levelled by the first rains.
Source: Wikisource

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