Richard Harding Davis

Richard Harding Davis

Summary

Portrait of Richard Harding Davis Richard Harding Davis The Lost Road (collection) — The Lost Road (1913)

And he says, if I will only give him time, he believes this will be the best thing he has done."
"That's an awful thought," said the cavalry officer.
"You don't like him," reproved Miss Gardner. "He is always very polite to you."
"He's polite to everybody," said Lee; "that's why I don't like him. He's not a real artist. He's a courtier. God gave him a talent, and he makes a mean use of it. Uses it to flatter people. He's like these long-haired violinists who play anything you ask them to in the lobster palaces."
Source: Wikisource

Portrait of Richard Harding Davis Richard Harding Davis The Lost Road (collection) — The Lost Road (1913)

For a young man, he always had taken life almost too seriously, and when, after the campaign in Cuba, he elected to make soldiering his profession, the seriousness with which he attacked his new work surprised no one. Finding they had lost him forever, his former intimates were bored, but his colonel was enthusiastic, and the men of his troop not only loved, but respected him.
From the start he determined in his new life women should have no part—a determination that puzzled no one so much as the women, for to Lee no woman, old or young, had found cause to be unfriendly.
Source: Wikisource

Portrait of Richard Harding Davis Richard Harding Davis The Lost Road (collection) — The Lost Road (1913)

Stedman is a great artist, and some day all the world will think so, too!"
Lee made no answer. Not because he disagreed with her estimate of Mr. Stedman's genius-he made no pretense of being an art critic—but because her vehement admiration had filled him with sudden panic. He was not jealous. For that he was far too humble. Indeed, he thought himself so utterly unworthy of Frances Gardner that the fact that to him she might prefer some one else was in no way a surprise.
Source: Wikisource

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