Richard Harding Davis

Richard Harding Davis

Summary

Portrait of Richard Harding Davis Richard Harding Davis The Lost Road

Polly Adair, as every one who dared to do so preferred to call her, was, like himself, an American and, though absurdly young, a widow. In the States she would have been called an extremely pretty girl. In a community where the few dozen white women had wilted and faded in the fierce sun of the equator, and where the rest of the women were jet black except their teeth, which were dyed an alluring purple, Polly Adair was as beautiful as a June morning. At least, so Hemingway thought the first time he saw her, and each succeeding time he thought her more beautiful, more lovely, more to be loved.
Source: Gutenberg

Portrait of Richard Harding Davis Richard Harding Davis The Lost Road

Every one lifted his hat to Monica; the beggars, the cab-drivers, the barefooted policemen, and the social lights of Camaguay on the sidewalks in front of the cafes rose and bowed.
"It is like walking with royalty!" exclaimed Everett.
While at the hospital he talked to the Mother Superior—his eyes followed Monica. As she moved from cot to cot he noted how the younger sisters fluttered happily around her, like bridesmaids around a bride, and how as she passed, the eyes of those in the cots followed her jealously, and after she had spoken with them smiled in content.
Source: Gutenberg

Portrait of Richard Harding Davis Richard Harding Davis The Lost Road

As easily as with his finger a man can block the swing of a pendulum and halt the progress of the clock, Harris with a word had brought the entire world to a full stop.
And then, above his head, Hemingway heard the lazy whisper of the punka, and from the harbor the raucous whistle of the Crown Prince Eitel, signalling her entrance. The world had not stopped; for the punka-boy, for the captain of the German steamer, for Harris seated with face averted, the world was still going gayly and busily forward.
Source: Gutenberg

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