Summary

Portrait of Robert Barr Robert Barr Revenge! — Over the Stelvio Pass (1896)

Following her glance to the front window of their closed carriage, where the back of the driver is usually to be seen, he saw pressed against the glass the distorted face of a demon. The driver was kneeling on his seat instead of sitting on it, and was peering in at them, the reins drawn over his shoulder, and his back to the horses. It seemed to Standish that the light of insanity gleamed from his eyes, but Tina saw in them the revengeful glare of the vendetti; the rage of the disappointed lover.
Source: Wikisource

Portrait of Robert Barr Robert Barr Revenge! — Over the Stelvio Pass (1896)

But a man who begins sliding down a hill such as there is around Como, never can tell exactly where he is going to bring up. He may stop halfway, or he may go head first into the lake. If it were to be set down here that within a certain space of time Standish did not care one continental objurgation whether Tina was a princess or a char-woman, the statement would simply not be believed, because we all know that Englishmen are a cold, calculating race of men, with long side whiskers and a veil round their hats when they travel.
Source: Wikisource

Portrait of Robert Barr Robert Barr Revenge! — Over the Stelvio Pass (1896)

And now Tina had deliberately chosen a reckless, unstable Italian who would, in a short time, scatter to the winds the careful accumulation of years.
"Pietro, the scoundrel, will not have one piastra of my money," cried the old man wrathfully, dropping into Italian as he was speaking about a native of Italy.
"No, I shall see that he doesn't," said the girl. "I shall hold the purse, and he must earn what he spends."
"But if you marry him, you will not have any of it."
"Oh yes, I shall, papa," said Tina confidently; "you have no one else to leave it to.
Source: Wikisource

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