Robert Ervin Howard

Robert Ervin Howard

Summary

Portrait of Robert Ervin Howard Robert Ervin Howard The Shadow of the Vulture (1934)

Suleyman meant to waste no time on the city that barred him from helpless Europe. He meant to crush its frail walls in one storm. The bashi-bazouki, the irregulars, died like flies to screen the main advance, and over heaps of their dead, the Janizaries thundered against Vienna. In the teeth of cannonade and musket volley they surged on, crossing the moats on scaling-ladders laid across, bridge-like. Whole ranks went down as the Austrian guns roared, but now the attackers were under the walls and the cumbrous balls whirred over their heads, to work havoc in the rear ranks.
Source: Wikisource

Portrait of Robert Ervin Howard Robert Ervin Howard The Shadow of the Vulture (1934)

About the walls raved a sea of Eastern faces--Turks, Tatars, Kurds, Arabs, Algerians, snarling, screaming, dying before the roaring matchlocks of the Spaniards, the thrust of Austrian pikes, the strokes of the German Lanzknechts, who swung their two-handed swords like reapers mowing ripe grain. Those within the walls were no more heroic than those without, stumbling among fields of their own dead.
To Gottfried von Kalmbach, life had faded to a single meaning--the swinging of his great sword. In the wide breach by the Karnthner Tower he fought until time lost all meaning.
Source: Wikisource

Portrait of Robert Ervin Howard Robert Ervin Howard The Shadow of the Vulture (1934)

He was the chief of the Akinji, those wild riders whose raids spread fear and desolation throughout all lands beyond the Grand Turk's borders. He stood in full armor, a jeweled helmet on his narrow head, the wide vulture wings made fast to the shoulders of his gilded chain-mail hauberk. Those wings spread wide in the wind when he rode, and under their pinions lay the shadows of death and destruction. It was Suleyman's scimitar-tip, the most noted slayer of a nation of slayers, who stood before the Grand Vizier.
Source: Wikisource

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