Robert Southey

Robert Southey

Summary

Portrait of Robert Southey Robert Southey Joan of Arc — Book the Seventh (1796)

Fall vainly on the Frenchman's crested helm,
Tho' weak to wound, for from his eyes the fire
Sparkled, and back recoiling with the blow,
He in the Maiden's arms astounded fell.
But now their troops all captainless confus'd, 620
Fear seized the English. Not with more dismay
When over wild Caffraria's wooded hills,
Echoes the lion's roar, the timid herd
Fly the death-boding sound. The forts they seek.
Now reckless which, so from that battle's rage 625
A present refuge. On their flying ranks
The victors press, and mark their course with blood.
Source: Wikisource

Portrait of Robert Southey Robert Southey Joan of Arc — Book the Seventh (1796)

Did he not rightly areed: tho' vain the attempt
To kindle in their breasts the wonted flame
Of valour; for by prodigies unmann'd
They wait the morning, or in silent dread,
Or pouring out their fears in many a prayer. 40
The morning came. The martial Maid arose.
Lovely in arms she moved. Around the gate
Eager again for conquest throng the troops.
High towered the Son of Orleans, in his strength
Poising the ponderous spear. His batter'd shield, 45
Witnessing the fierce fray of yesternight,
Hung on his sinewy arm.
Source: Wikisource

Portrait of Robert Southey Robert Southey Joan of Arc — Book the Seventh (1796)

In France only persons of a certain estate, called un fief de hauber, were permitted to wear a hauberk, which was the armor of a Knight. Esquires might only wear a simple coat of mail without the hood and hose. Had this aristocratic distinction consisted in the ornamental part of the arms alone, it would only have been ridiculous. In the enlightened and free States of Greece, every soldier was well provided with defensive arms. In Rome, a civic wreath was the reward of him who should save the life of a citizen.
Source: Wikisource

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