Helm

Definition and stakes

Oswald Barron,  1911 Encyclopædia Britannica (1911)

“ The art of armory had no better fate. An absurd rule current for some three hundred years has ordered that the helms of princes and knights should be painted full-faced and those of peers and gentlemen sidelong. Obeying this, the herald painters have displayed the crests of knights and princes as sideways upon a full-faced helm; the torse or wreath, instead of being twisted about the brow of the helm, has become a sausage-shaped bar see-sawing above the helm; and upon this will be balanced a crest which might puzzle the ancient craftsman to mould in his leather or parchment. ”
Source: Wikisource

G. W. Eve,  Heraldry as art: An account of its development and practice… (1907)

“ The treatment of the helm and mantling is a matter of especial interest both as a significant part of an achievement of arms and as that part of it which affords a great amount of freedom and variety in artistic arrangement, for the lines of the helm, the character of the mantling, its direction and flow, and to some extent its colour effect, are like the shape of the shield, at the disposal of the designer to do as he will or can with them. ”
Source: Gutenberg

Portrait of Homer Homer,  The Iliad

“ And as when a man builds the wall of a high house with close-set stones, to avoid the might of the winds, even so close were arrayed the helmets and bossy shields, and shield pressed on shield, helm on helm, and man on man, and the horse-hair crests on the bright helmet-ridges touched each other when they nodded, so close they stood by each other. ”
Source: Gutenberg

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