1911 Encyclopædia Britannica (1911)
“ Between the first of war songs, composed in a storm on a moor, and the pathos of “Mary in Heaven,” he has made every chord in our northern life to vibrate. The distance from “Duncan Gray” to “Auld Lang Syne” is nearly as great as that from Falstaff to Ariel. There is the vehemence of battle, the wail of woe, the march of veterans “red-wat-shod,” the smiles of meeting, the tears of parting friends, the gurgle of brown burns, the roar of the wind through pines, the rustle of barley rigs, the thunder on the hill—all Scotland is in his verse. ”
