Summary

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Demoiselle d'Ys (1895)

I was on my feet in an instant peering through the gorse. There came the sound of a struggle from a bunch of heather close by, and then all was quiet. I stepped forward, my gun poised, but when I came to the heather the gun fell under my arm again, and I stood motionless in silent astonishment. A dead hare lay on the ground, and on the hare stood a magnificent falcon, one talon buried in the creature’s neck, the other planted firmly on its limp flank. But what astonished me, was not the mere sight of a falcon sitting upon its prey.
Source: Wikisource

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Demoiselle d'Ys (1895)

She had never been outside the moorland—never even had seen a human soul before, except the falconers and Pelagie. She did not know how she had heard of Kerselec; perhaps the falconers had spoken of it. She knew the legends of Loup Garou and Jeanne la Flamme from her nurse Pelagie. She embroidered and spun flax. Her hawks and hounds were her only distraction. When she had met me there on the moor she had been so frightened that she almost dropped at the sound of my voice.
Source: Wikisource

Portrait of Robert W. Chambers Robert W. Chambers The King in Yellow — The Demoiselle d'Ys (1895)

The girl stepped up to the falconer, and with a quick turn of her wrist transferred her falcon to the hoop where it quickly sidled off and nestled among its mates who shook their hooded heads and ruffled their feathers till the belled jesses tinkled again. The other man stepped forward and bowing respectfully took up the hare and dropped it into the game-sack.
“These are my piqueurs,” said the girl turning to me with a gentle dignity. “Raoul is a good fauconnier and I shall some day make him grand veneur. Hastur is incomparable.”
Source: Wikisource

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