Robert W. Chambers

Robert W. Chambers

Summary

Portrait of Robert W. Chambers Robert W. Chambers The Younger Set

You see, Eileen, that, after all, a man does know when he is done for—"
"Captain Selwyn!" She turned and caught his hands in both of hers, her eyes bright with tears: "Is that the penalty for what I said? Did you think I invited this—"
"Invited! No, child," he said gently. "I was fool enough to believe in myself; that is all. I have always been on the edge of loving you. Only in dreams did I ever dare set foot across that frontier. Now I have dared. I love you. That is all; and it must not distress you."
Source: Gutenberg

Portrait of Robert W. Chambers Robert W. Chambers The Younger Set

Freedom to love! That alone was blessed, though that love be unreturned. Without that right—the right to love—a man was no man. Lansing had been correct: such a man was a spectre in a living world—the ghost of what he had been. But there was no help for it, and there Lansing had been in the wrong. No hope, no help, nothing for it but to set a true course and hang to it.
And Selwyn's dull eyes rested upon the ashes of the fire, and he saw his dead youth among them; and, in the flames, his maturity burning to embers.
If he outlived Alixe, his life would lie as the ashes lay at his feet.
Source: Gutenberg

Portrait of Robert W. Chambers Robert W. Chambers The Younger Set

But Selwyn cared more for the sun and the infinite blue above, and the vast cloud-forms piled up in argent splendour behind a sea of amethyst.
"The darker, vaguer phases of beauty," he said to Eileen, smiling, "attract and fascinate those young in experience. Tragedy is always better appreciated and better rendered by those who have never lived it. The anatomy of sadness, the subtler fascination of life brooding in shadow, appeals most keenly to those who can study and reflect, then dismiss it all and return again to the brightness of existence which has not yet for them been tarnished."
Source: Gutenberg

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