Roy Norton

Summary

Roy Norton Sanders and the Dream Lady (1907)

It was too much, and as a big lump came suddenly into his throat, Sanders almost swallowed the ample chew of tobacco that distorted the contour of his face. Hitherto he had felt the pride of position. Why shouldn’t he joy in his independence? He had always made his own way and had been no mark for humor. Why, even when he wanted to go into the stage business after Old Patch, owing to too many stops at the road-house, had simultaneously lost his hold on the reins of horses and of life by falling from his seat, the miners had not treated him as a joke.
Source: Wikisource

Roy Norton Sanders and the Dream Lady (1907)

McCarthy turned and swore. His oath was answered with such an emphatic string of profanity that it almost drowned the whistle of the incoming train.
The superintendent looked reprovingly at his companion, Sanders, the stage-driver. The latter, nearly four feet in height and thirteen years old, returned the gaze unblinkingly from a pair of wise-looking Irish-American eyes which belied his age, meanwhile wrinkling his freckles into a mass that served as a harmonious fresco below his red hair. Again he gave speech.
“Most women,” he said, “is like ore-wagons; take up too much room on the trail.”
Source: Wikisource

Roy Norton Sanders and the Dream Lady (1907)

The stage-driver’s mind went rambling away to the stories he had read in the ten-cent books he had secured from the miners, where the heroine was always a beautiful young lady who always fell in love with the hero, who, if not a stage-driver, was a brave young detective. They always married, and, as far as he could recollect, lived happily ever after. Sanders wasn’t quite sure that he wanted to marry the Dream Lady and live happily ever after, but he was quite positive that if she would give him a chance he would love her—would love her very much indeed.
Source: Wikisource

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