Rudyard Kipling

Rudyard Kipling

Summary

Portrait of Rudyard Kipling Rudyard Kipling The Burning of the "Sarah Sands" (1898)

The troops looked down into the black hollow of the ship when the shaft made its first revolution, shaking the hull horribly; and if you can realize what it means to be able to see a naked screw-shaft at work from the upper deck of a liner, you can realize what had happened to the Sarah Sands. They waited outside Port Louis for the daylight, and were nearly dashed to pieces on a coral reef. Then the gutted, empty steamer came in—very dirty, the men’s clothes so charred that they hardly dared to take them off, and very hungry; but without having lost one single life.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling The Burning of the "Sarah Sands" (1898)

Frazer’s plan saved the ship, though every particle of wood in the after part of her was destroyed, and a bluish vapour hung over the redhot, iron beams and ties, and the sea for miles about looked like blood under the glare, as they pumped and passed water in buckets, flooding the stern, sluicing the engine-room bulkhead and damping the coal beyond it all through the long night. The very sides of the ship were red-hot, so that they wondered when her plates would buckle and wrench out the rivets and let the whole misery down to the sharks.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling The Burning of the "Sarah Sands" (1898)

Then the flames broke through the after-deck, the light attracting shoals of sharks, and the mizzen-mast—the farthest aft of all the masts—flared up and went over-side with a crash. This would have veered the stern of the ship-head to the wind, in which case the flames must have swept forward; but a man with a hatchet—his name is lost—ran along the bulwarks and cut the wreck clear, while the boat full of women surged and rocked at a safe distance, and the sharks tried to upset it with their tails.
Source: Wikisource

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