Summary

Portrait of Sax Rohmer Sax Rohmer Brood of the Witch Queen — CHAPTER XXV. (1918)

Upon one of the slim fingers was an exact replica of the ring in the case!
Robert Cairn leapt back with a stifled exclamation.
Antony Ferrara stood before him!
"The Museum ring is a copy, dear Cairn," came the huskily musical, hateful voice; "the one upon my finger is the real one."
Cairn realised in his own person, the literal meaning of the overworked phrase, "frozen with amazement." Before him stood the most dangerous man in Europe; a man who had done murder and worse; a man only in name, a demon in nature.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Brood of the Witch Queen — CHAPTER XXV. (1918)

His examination of the thing did not serve to enlighten him respecting its character. It was merely a piece of silken cord, very closely and curiously plaited. He threw it down on the table, determined to show it to Dr. Cairn at the earliest opportunity. He was conscious of a sort of repugnance; and prompted by this, he carefully washed his hands as though the cord had been some unclean thing. Then, he sat down to work, only to realise immediately, that work was impossible until he had confided in somebody his encounter with Ferrara.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Brood of the Witch Queen — CHAPTER XXV. (1918)

So, excepting his father, he had no confidant; for above all it was necessary to keep the truth from Myra Duquesne—from Myra around whom his world circled, but who yet thought of the dreadful being who wielded the sorcery of forgotten ages, as a brother. Whilst Myra lay ill—not yet recovered from the ghastly attack made upon her life by the man whom she trusted—whilst, having plentiful evidence of his presence in London, Dr. Cairn and himself vainly sought for Antony Ferrara; whilst any night might bring some unholy visitant to his rooms, obedient to the will of this modern wizard
Source: Wikisource

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