Summary

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — Flowering of the Lotus (1923)

Robert Cairn, his arms about this girl, who, from his early boyhood, had been his ideal of womanhood, of love, and of all that love meant, forgot the terrible things which had shaken his life and brought him to the threshold of death. He forgot the evidence of illness which marred the once glorious beauty of the girl, forgot the black menace of the future, forgot the wizard enemy whose hand was stretched over that house and that garden—and was merely happy.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — Flowering of the Lotus (1923)

The hidden secrets of perfume are not understood nowadays; but you, from your experience, know that certain perfumes have occult uses. At the Pyramid of Meydum, in Egypt, Antony Ferrara dared—and the just God did not strike him dead—to make a certain incense. It was often made in the remote past, and a portion of it, probably in a jar hermetically sealed, had come into his possession. I once detected its dreadful odor in his rooms in London.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — Flowering of the Lotus (1923)

Robert Cairn was listening intently.
“All this brings me back to a point which I have touched upon before, sir,” he said. “To my certain knowledge, the late Sir Michael and yourself have delved into the black mysteries of Egypt more deeply than any men of the present century; yet Antony Ferrara, little more than a boy, has mastered secrets which you, after years of research, have failed to grasp. What does this mean, sir?”
Dr. Cairn, again locking his hands behind him, stared out of the window.
“He is not an ordinary mortal,” continued his son. “He is supernormal, and supernaturally wicked.
Source: Wikisource

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