Summary

Portrait of Sax Rohmer Sax Rohmer The Dream Detective (New York, 1925… (1925)

Here, murder is done, yes, and so I shall play to you a prelude newly composed in which—it is appropriate—I try to express in music the lust of slaying."
He paused amid an uncomfortable silence, and then:
"Some of you must know," he resumed, "that all my compositions are emotions, attempts to paint in chords things experienced. Some experiences one cannot have and so can never paint—for atmosphere, atmosphere, is everything! Now I shall paint for you the story of this studio."
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Dream Detective (New York, 1925… (1925)

He stooped over the would-be murderer and performed some simple operation which threw Skobolov upon his back.
In two seconds the madman was up again; and, even now, I sometimes see in my dreams that devil face, transfigured by such evil as I could not have supposed to reside in any human being. He opened and closed his hands in a horrible, writhing, suggestive movement, looked at Grimsby who was trying slowly, painfully to struggle to his feet, looked at Isis, looked at Moris Klaw, looked at myself.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Dream Detective (New York, 1925… (1925)

Grimsby now was frankly amazed and not a little angry. As for myself, familiar though I was with Klaw's peculiar methods, I could not divine at what he was driving.
"My friends," he continued, looking from one to the other of us, and holding up the cigarette stump as a lecturer holds up a specimen, "the cigarette, a vice which has killed many men. I have known a woman to hang because of a hairpin, but men and women, too, many of them, because of a cigarette."
Source: Wikisource

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