Summary

Portrait of Willa Cather Willa Cather The Troll Garden — The Marriage of Phædra (1905)

If the painter's letters were formal and perfunctory, if his expressions to his friends had been extravagant, contradictory and often apparently insincere—still, MacMaster felt himself not entirely without authentic sources. It was James who possessed Treffinger's legend; it was with James that he had laid aside his pose. Only in his studio, alone, and face to face with his work, as it seemed, had the man invariably been himself. James had known him in the one attitude in which he was entirely honest; their relation had fallen well within the painter's only indubitable integrity.
Source: Wikisource

Portrait of Willa Cather Willa Cather The Troll Garden — The Marriage of Phædra (1905)

When MacMaster stopped at the studio on leaving the house, he stood for some time before Treffinger's one portrait of himself; that brigand of a picture, with its full throat and square head; the short upper lip blackened by the close-clipped moustache, the wiry hair tossed down over the forehead, the strong white teeth set hard on a short pipe stem. He could well understand what manifold tortures the mere grain of the man's strong red and brown flesh might have inflicted upon a woman like Lady Ellen.
Source: Wikisource

Portrait of Willa Cather Willa Cather The Troll Garden — The Marriage of Phædra (1905)

I am positive that nothing can be gained by high-handed methods, James. Captain Gresham is one of the most popular men in London, and his friends would tear up Treffinger's bones if he were annoyed by any scandal of our making—and this scheme you propose would inevitably result in scandal. Lady Ellen has, of course, every legal right to sell the picture. Treffinger made considerable inroads upon her estate, and, as she is about to marry a man without income, she doubtless feels that she has a right to replenish her patrimony.
Source: Wikisource

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