Summary

Portrait of Willa Cather Willa Cather The Troll Garden, and Selected Stories

The sky was a deep, crystalline blue, and the stars were few and faint. Everything seemed to have succumbed, to have sunk to sleep, under the great, golden, tender, midsummer moon. The splendour of it seemed to transcend human life and human fate. The senses were too feeble to take it in, and every time one looked up at the sky one felt unequal to it, as if one were sitting deaf under the waves of a great river of melody. Near the road, Nils Ericson was lying against a straw stack in Olaf's wheat field.
Source: Gutenberg

Portrait of Willa Cather Willa Cather The Troll Garden, and Selected Stories

On the night of Adriance Hilgarde's opening concert in Paris Everett sat by the bed in the ranch house in Wyoming, watching over the last battle that we have with the flesh before we are done with it and free of it forever. At times it seemed that the serene soul of her must have left already and found some refuge from the storm, and only the tenacious animal life were left to do battle with death. She labored under a delusion at once pitiful and merciful, thinking that she was in the Pullman on her way to New York, going back to her life and her work.
Source: Gutenberg

Portrait of Willa Cather Willa Cather The Troll Garden, and Selected Stories

When they went out to dinner Imogen realized the completeness of Flavia's triumph. They were people of one name, mostly, like kings; people whose names stirred the imagination like a romance or a melody. With the notable exception of M. Roux, Imogen had seen most of them before, either in concert halls or lecture rooms; but they looked noticeably older and dimmer than she remembered them.
Opposite her sat Schemetzkin, the Russian pianist, a short, corpulent man, with an apoplectic face and purplish skin, his thick, iron-gray hair tossed back from his forehead.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature