Summary

Portrait of Willa Sibert Cather Willa Sibert Cather McClure's Magazine, Volume 39, Number 4… (1912)

Oleson, who had twelve big grandchildren, could still show two braids of yellow hair as thick as her own wrists. Among all these grandmothers there were more brown heads than white. They all had a pleased, prosperous air, as if they were more than satisfied with themselves and with life. Nils, leaning against Hilda's lemonade-stand, watched them as they sat chattering in four languages, their fingers never lagging behind their tongues.
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather McClure's Magazine, Volume 39, Number 4… (1912)

Little Hilda had been sent to bed and had cried herself to sleep. The old woman's knitting was in her lap, but her hands lay motionless on top of it. For more than an hour she had not moved a muscle. She simply sat, as only the Ericsons and the mountains can sit. The house was dark, and there was no sound but the croaking of the frogs down in the pond of the little pasture.
Eric did not come home by the road, but across the fields, where no one could see him. He set his telescope down softly in the kitchen shed, and slipped noiselessly along the path to the front porch.
Source: Wikisource

Portrait of Willa Sibert Cather Willa Sibert Cather McClure's Magazine, Volume 39, Number 4… (1912)

Nils' eyes followed her white figure as she went toward the house. He watched her walking alone in the sunlight, looked at her slender, defiant shoulders and her little hard-set head with its coils of blue-black hair. “No,” he reflected; “she'd never be like them, not if she lived here a hundred years. She'd only grow more bitter. You can't tame a wild thing; you can only chain it. People aren't all alike. I mustn't lose my nerve.” He gave Hilda's pigtail a parting tweak and set out after Clara. “Where to?” he asked, as he came upon her in the kitchen.
“I'm going to the cellar for preserves.”
Source: Wikisource

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