D. H. Lawrence

D. H. Lawrence

Summary

Portrait of D. H. Lawrence D. H. Lawrence,  Sons and Lovers

“ Dawes. She did not love Dawes, never had loved him; but she believed he loved her, at least depended on her. She felt a certain surety about him that she never felt with Paul Morel. Her passion for the young man had filled her soul, given her a certain satisfaction, eased her of her self-mistrust, her doubt. Whatever else she was, she was inwardly assured. It was almost as if she had gained herself, and stood now distinct and complete. She had received her confirmation; but she never believed that her life belonged to Paul Morel, nor his to her. ”
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence,  Sons and Lovers

“ He became, not a man with a mind, but a great instinct. His hands were like creatures, living; his limbs, his body, were all life and consciousness, subject to no will of his, but living in themselves. Just as he was, so it seemed the vigorous, wintry stars were strong also with life. He and they struck with the same pulse of fire, and the same joy of strength which held the bracken-frond stiff near his eyes held his own body firm. It was as if he, and the stars, and the dark herbage, and Clara were licked up in an immense tongue of flame, which tore onwards and upwards. ”
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence,  Sons and Lovers (1913)

“ He loved the family so much, he loved the farm so much; it was the dearest place on earth to him. His home was not so lovable. It was his mother. But then he would have been just as happy with his mother anywhere. Whereas Willey Farm he loved passionately. He loved the little pokey kitchen, where men’s boots tramped, and the dog slept with one eye open for fear of being trodden on; where the lamp hung over the table at night, and everything was so silent. He loved Miriam’s long, low parlour, with its atmosphere of romance, its flowers, its books, its high rosewood piano. ”
Source: Wikisource

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