Summary

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — VII. THE CAT OF BUBASTIS (1920)

The greater number of pilgrims, before returning home, left a souvenir of their visit at the feet of Bâst. It was a votive stele with a fine inscription, and a picture showing the donor worshiping his goddess; or a statuette in blue or green pottery, or if they were wealthy, in bronze, silver, or sometimes gold: the goddess would be standing, seated, crouching, with a woman's body and a cat's head, a sistrum or an ægis in her hand.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — VII. THE CAT OF BUBASTIS (1920)

On reaching the Red House the cabman and his fare found it to be vacant. Sir Marcus, however, who had a very brusk manner with his inferiors, having paid the cabman, curtly dismissed him, and the man, who admits having bargained for a double fare for the journey, because it was such an out-of-the-way spot, drove away vaguely curious, but not so curious as another might have been, since London cabmen are used to strange jobs."
"We are getting near the heart of the mystery."
"H'm," said Gatton, "I'm not so sure. The deeper we go the darker it gets.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — VII. THE CAT OF BUBASTIS (1920)

The fêtes of Bâst attracted pilgrims from all parts of Egypt, as at the present day those of Sidi Ahmed el-Bedawee draw people to the modern fair of Tantah. The people of each village crowded into large boats to get there, men and women pell-mell, with the fixed intention of enjoying themselves on the journey, a thing they never failed to do.
Source: Wikisource

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