Summary

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — III. THE GREEN IMAGE (1920)

The reputation of the late baronet had been one which I personally did not envy him, but whatever his faults, and I knew they had been many, he had evidently possessed the redeeming virtue of being a good employer.
"A couple of hours' sleep would make a new man of you," said Gatton kindly. "I understand your feelings, but no amount of sorrow can mend matters, unfortunately.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — III. THE GREEN IMAGE (1920)

The examination of Morris had reached a point at which I found myself hard put to it to retain even a seeming of composure. All Gatton's questions had been leading up to this suggestion, as I now perceived clearly enough; and from the cousins' quarrel to Isobel, Eric's fiancée, who was engaged at the New Avenue Theater, was an inevitable step. But:
"Possibly, sir," was Morris's only answer.
Inspector Gatton stared hard at the man for a moment or so, then:
"Very well," he said. "Take my advice and turn in. There will be much for you to do presently, I am afraid. Who was Sir Marcus's solicitor?"
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — III. THE GREEN IMAGE (1920)

And he pointed to the painted cat upon the lid of the packing-case. I had already told him of the episode at the Red House on the previous night, and now:
"The fates are on our side," I said, "for at least we know where the crate was despatched from."
"Quite so," agreed Gatton. "We should have got that from the carter later, of course, but every minute saved in an affair such as this is worth considering. As a pressman you will probably disagree with me, but I propose to suppress these two pieces of evidence. Premature publication of clews too often handicaps us.
Source: Wikisource

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