Summary

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XVIII. THE SECRET OF FRIAR'S PARK (1920)

Directly before me lay the lodge, but the house was invisible from where I sat, being evidently situated somewhere beyond a dense coppice into which I perceived the drive to lead, for patched here and there by the moonlight I could trace it running ribbon-like through the trees.
A vine grew upon the wall beneath me, its aged tendrils of the thickness of ropes, and it afforded a natural ladder whereby I made my descent.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XVIII. THE SECRET OF FRIAR'S PARK (1920)

I met never a soul upon the highway, nor indeed did I encounter any evidence of life whatever, until, turning into a narrow lane which would bring me to that road in the valley upon which stood the deserted lodge belonging to the Bell House, an owl hooted in the trees above my head.
Keenly alert to the possibility that my movements might be watched, I paused, wondering if the sound—which had proceeded from a low bough directly above me—had really been made by an owl or by a human mimic. For the hoot of an owl, being easy to imitate, is much favored for signaling purposes.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XVIII. THE SECRET OF FRIAR'S PARK (1920)

The lane inclined gently leftward, and presently, as I had anticipated, I came upon a lodge, overgrown with ivy and but partly visible beyond the gates which barred the end of the drive.
That this was the entrance to Friar's Park I felt assured, but I had no intention of seeking admittance in the usual way. Pursuing a high wall, evidently of great age, which divided the grounds from the road, I walked on for fully three hundred yards.
Source: Wikisource

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