Sister Nivedita,
An Indian Study of Love and Death
(1908)
“ Those waiting at the burning-ghât to offer the last rites, can judge by the nearing sound of the singing how long or how short will be the time before the mourners—bareheaded, barefooted, and clad in white—arrive. But in the whole of Hindu music, there is neither death-croon, nor dirge, nor sad eternal lullaby. The chanting here is all of prayers, and psalms, and hymns. To Hindu thinking, there is in fact no death, and as simple folk are carried to the burning-ghât the bearers cry only by the road, “Nama Rama sattya hai!” ”

