Stephen Crane

Summary

Stephen Crane The Bride Comes to Yellow Sky (1898)

As for the bride, her face had gone as yellow as old cloth. She was a slave to hideous rites gazing at the apparitional snake.
The two men faced each other at a distance of three paces. He of the revolver smiled with a new and quiet ferocity.
"Tried to sneak up on me," he said. "Tried to sneak up on me!" His eyes grew more baleful. As Potter made a slight movement, the man thrust his revolver venomously forward. "No, don't you do it, Jack Potter. Don't you move a finger toward a gun just yet. Don't you move an eyelash.
Source: Wikisource

Stephen Crane The Bride Comes to Yellow Sky (1898)

Potter looked at his enemy. "I ain't got a gun on me, Scratchy," he said. "Honest, I ain't." He was stiffening and steadying, but yet somewhere at the back of his mind a vision of the Pullman floated, the sea-green figured velvet, the shining brass, silver, and glass, the wood that gleamed as darkly brilliant as the surface of a pool of oil -- all the glory of the marriage, the environment of the new estate. "You know I fight when it comes to fighting, Scratchy Wilson, but I ain't got a gun on me. You'll have to do all the shootin' yourself."
Source: Wikisource

Stephen Crane The Bride Comes to Yellow Sky (1898)

He was now bringing his bride before an innocent and unsuspecting community.
Of course, people in Yellow Sky married as it pleased them, in accordance with a general custom; but such was Potter's thought of his duty to his friends, or of their idea of his duty, or of an unspoken form which does not control men in these matters, that he felt he was heinous. He had committed an extraordinary crime. Face to face with this girl in San Antonio, and spurred by his sharp impulse, he had gone headlong over all the social hedges. At San Antonio he was like a man hidden in the dark.
Source: Wikisource

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