Temple Bailey

Temple Bailey

Phyllida (1908)

Summary

Portrait of Temple Bailey Temple Bailey,  Phyllida (1908)

“ They both laughed, and the Poet kissed Phyllida—the second kiss, which could never be as wonderful as the first, but which was wonderful enough in all conscience. But when the Poet had left Phyllida and walked the city streets alone, he was burdened by the feeling that he ought not to let her run away with him. For the Poet, with the thinning of his locks on his temples had grown wise, and he knew that while one may put into verses all the moon-lighted fancies that one pleases, one must live life as it really is. ”
Source: Wikisource

Portrait of Temple Bailey Temple Bailey,  Phyllida (1908)

“ Then, with fear tugging at her heart, she said to the man, "I cannot find my purse. I will go and get the money."
She sped up the hall to her mother's chamber, but found it empty, and, guided by the sound of shrill laughter, she went down to the music-room, where, set in the middle of the polished floor, was a little spindle-legged table, and about the table were four women playing cards. And Phyllida's mother, with two spots burning red in her cheeks, was talking eagerly, as, with her long white fingers, she shook a roll of bills from a silver purse.
”
Source: Wikisource

Portrait of Temple Bailey Temple Bailey,  Phyllida (1908)

“ PHYLLIDA'S mother played bridge all day and until midnight and after, and Phyllida's father gambled in stocks, but Phyllida, trained by the nuns, and having spent most of her days in a rose garden, and most of her nights in a small white room with a crucifix over her bed, was a thing of fire and dew and ideals.
"In our home," she told the Poet, "we'll always burn candles and we'll have a sun dial in the garden."
"If we live in a flat there will be no garden," her lover reminded her.
”
Source: Wikisource

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