Summary

The Screen

He is one Don Diego Vega, an aristocrat of Spanish California, who seems content to loaf through life in fancy clothes and rich surroundings, but is really so moved by the tyranny of his country's rulers that he originates for himself another role, that of Senor Zorro, an alert and mysterious avenger of the people's wrongs, who appears suddenly when least expected by the authorities, and disappears as suddenly when most desired by them, always in black mask and costume, with a sure sword, a swift horse and a sense of humor.
Source: Wikisource

The Screen

There may be those who will find "The Mark of Zorro" a little tedious in places because Fairbanks is not frolicking through every scene of it, and, as he never creates a character and will not confine himself to any possible plot or plan, his pictures must depend almost entirely upon his own athletics and absurdities, supplemented by those of scenery and cast.
Source: Wikisource

The Screen

Certainly there are moments in the motion picture which must delight anyone, no matter how preposterous they are. There is a duel scene, for example, which is something distinctly original in the history of mortal combat on the stage or screen, and there are spirited races and pursuits, sudden appearances, quick changes, and flashes of tempestuous love-making that are typically, and entertainingly, Fairbanksian.
Source: Wikisource

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