Summary

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 1. AUGUST THE SEVENTEENTH (1871)

Two or three little children, with their fingers in their mouths, came out to look at her, and then ran in to tell their mothers in loud tones of secrecy that Miss Aldclyffe was coming. Miss Aldclyffe, however, did not come in. She concluded her survey of the exterior by making a complete circuit of the building; then turned into a nook a short distance off where round and square timber, a saw-pit, planks, grindstones, heaps of building stone and brick, explained that the spot was the centre of operations for the building work done on the estate.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 1. AUGUST THE SEVENTEENTH (1871)

The mullioned and transomed windows, containing five or six lights, were mostly bricked up to the extent of two or three, and the remaining portion fitted with cottage window-frames carelessly inserted, to suit the purpose to which the old place was now applied, it being partitioned out into small rooms downstairs to form cottages for two labourers and their families
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 1. AUGUST THE SEVENTEENTH (1871)

Country architects include those things in their practice; city architects don't.'
'I know that, child. But a steward's is an indefinite fast and loose profession, it seems to me. Shouldn't you think that a man who had been brought up as an architect would do for a steward?'
Cytherea had doubts whether an architect pure would do.
The chief pleasure connected with asking an opinion lies in not adopting it. Miss Aldclyffe replied decisively--
'Nonsense; of course he would. Your brother Owen makes plans for country buildings--such as cottages, stables, homesteads, and so on?'
'Yes
Source: Wikisource

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