Summary

Portrait of Thomas Hardy Thomas Hardy Far from the Madding Crowd — Chapter LIV (1874)

She was of the stuff of which great men's mothers are made. She was indispensable to high generation, hated at tea parties, feared in shops, and loved at crises. Troy recumbent in his wife's lap formed now the sole spectacle in the middle of the spacious room.
"Gabriel," she said, automatically, when he entered, turning up a face of which only the wellknown lines remained to tell him it was hers, all else in the picture having faded quite. "Ride to Casterbridge instantly for a surgeon. It is, I believe, useless, but go. Mr. Boldwood has shot my husband."
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Far from the Madding Crowd — Chapter LIV (1874)

They took her away into a further room, and the medical attendance which had been useless in Troy's case was invaluable in Bathsheba's, who fell into a series of fainting-fits that had a serious aspect for a time. The sufferer was got to bed, and Oak, finding from the bulletins that nothing really dreadful was to be apprehended on her score, left the house. Liddy kept watch in Bathsheba's chamber, where she heard her mistress, moaning in whispers through the dull slow hours of that wretched night: "Oh it is my fault -- how can I live! O Heaven, how can I live!"
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Far from the Madding Crowd — Chapter LIV (1874)

Boldwood entered, and the door was closed behind him, and he walked the world no more.
Long before this time Weatherbury had been thoroughly aroused, and the wild deed which had terminated Boldwood's merrymaking became known to all. Of those out of the house Oak was one of the first to hear of the catastrophe, and when he entered the room, which was about five minutes after Boldwood's exit, the scene was terrible. All the female guests were huddled aghast against the walls like sheep in a storm, and the men were bewildered as to what to do. As for Bathsheba, she had changed.
Source: Wikisource

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