Summary

Portrait of Thomas Hardy Thomas Hardy,  Far from the Madding Crowd — Chapter XXIII (1874)

“ Just eye my features, and see if the tell-tale blood overheats me much, neighbours?"
"No, yer blushes be quite reasonable," said Coggan.
"I always tries to keep my colours from rising when a beauty's eyes get fixed on me," said Joseph, diffidently; "but if so be 'tis willed they do, they must."
"Now, Joseph, your song, please," said Bathsheba, from the window.
"Well, really, ma'am," he replied, in a yielding tone, "I don't know what to say. It would be a poor plain ballet of my own composure."
"Hear, hear!" said the supper-party.
”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Far from the Madding Crowd — Chapter XXIII (1874)

“ Recovering from the softer impressions produced by Bathsheba's voice, the shearers rose to leave, Coggan turning to Pennyways as he pushed back the bench to pass out: --
"I like to give praise where praise is due, and the man deserves it -- that 'a do so," he remarked, looking at the worthy thief, as if he were the masterpiece of some world- renowned artist.
”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Far from the Madding Crowd — Chapter XXIII (1874)

“ So also was Bathsheba now that he had come, though the uninvited presence of Pennyways, the bailiff who had been dismissed for theft, disturbed her equanimity for a while.
Supper being ended, Coggan began on his own private account, without reference to listeners: --
I've lost my love, and I care not, I've lost my love, and I care not; I shall soon have another That's better than t'other; I've lost my love, and I care not.
”
Source: Wikisource

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