Mary E. Wilkins Freeman

Mary E. Wilkins Freeman

Criss-cross (1914)

Summary

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Criss-cross (1914)

Selma had never loved, but she also had had her lover, and the lover had been Maria's own old widower uncle, Aggie's grandfather. Maria had never dreamed of it. Selma had been ashamed. In her youth old John Hopkins with his married daughter, Aggie's mother, had seemed a ridiculous lover. Nowadays she sometimes thought of him with a mixture of indignation, of pity, and of a queer, shamed gratitude. After all, old John Hopkins had loved her, and a woman never throughout her whole life entirely despises even a scorned and rejected love.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Criss-cross (1914)

Maria was a little pale as she continued to stare at her friend. “I guess I don't just see what you are driving at yet, Selma,” she said, feebly.
“It is as easy as the nose on your face. You stay here and live in my house awhile with my things. You are at perfect liberty to nose round the whole house, and peek into every closet and bureau drawer, and use my things just as if they were yours, and — I will go and live in your house while you are here.”
Selma gazed at Maria with a defiant expression which gradually changed before the one of wondering delight on the other face.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Criss-cross (1914)

The little room glowed with love of her like a jewel, and the woman saw it and smiled a smile of which she had never before been capable.
At last she went back to the kitchen. Her feet were cold. She opened the door of the stove oven and sat with her skirts gathered up, basking in warmth, and reflecting. “Poor man, he certainly thought a great deal of me,” she told herself. She admitted at last her old lover to his place of dignity which true love owed him. She remembered him and she also remembered herself.
Source: Wikisource

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