Summary

Portrait of Thomas Hardy Thomas Hardy Far from the Madding Crowd — Chapter XXVIII (1874)

Behind the luminous streams of this AURORA MILITARIS, she could see the hue of Troy's sword arm, spread in a scarlet haze over the space covered by its motions, like a twanged harpstring, and behind all Troy himself, mostly facing her; sometimes, to show the rear cuts, half turned away, his eye nevertheless always keenly measuring her breadth and outline, and his lips tightly closed in sustained effort.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Far from the Madding Crowd — Chapter XXVIII (1874)

Whatever have you done!"
"I have not touched you," said Troy, quietly. "It was mere sleight of hand. The sword passed behind you. Now you are not afraid, are you? Because if you are I can't perform. I give my word that I will not only not hurt you, but not once touch you."
"I don't think I am afraid. You are quite sure you will not hurt me?"
"Quite sure."
"Is the Sword very sharp?"
"O no -- only stand as still as a statue. Now!"
In an instant the atmosphere was transformed to Bathsheba's eyes.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Far from the Madding Crowd — Chapter XXVIII (1874)

Next, cuts, points and guards altogether," Troy duly exhibited them. "Then there's pursuing practice, in this way." He gave the movements as before. "There, those are the stereotyped forms. The infantry have two most diabolical upward cuts, which we are too humane to use. Like this -- three, four."
"How murderous and bloodthirsty!"
"They are rather deathly. Now I'll be more interesting, and let you see some loose play -- giving all the cuts and points, infantry and cavalry, quicker than lightning, and as promiscuously -- with just enough rule to regulate instinct and yet not to fetter it.
Source: Wikisource

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