Summary

Portrait of Thomas Hardy Thomas Hardy The Return of the Native — Book 2… (1878)

For mummers and mumming Eustacia had the greatest contempt. The mummers themselves were not afflicted with any such feeling for their art, though at the same time they were not enthusiastic. A traditional pastime is to be distinguished from a mere revival in no more striking feature than in this, that while in the revival all is excitement and fervour, the survival is carried on with a stolidity and absence of stir which sets one wondering why a thing that is done so perfunctorily should be kept up at all.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy The Return of the Native — Book 2… (1878)

On a ledge in the fuelhouse stood three tall rushlights and by the light of them seven or eight lads were marching about, haranguing, and confusing each other, in endeavours to perfect themselves in the play. Humphrey and Sam, the furze-and turf-cutters, were there looking on, so also was Timothy Fairway, who leant against the wall and prompted the boys from memory, interspersing among the set words remarks and anecdotes of the superior days when he and others were the Egdon mummers-elect that these lads were now.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy The Return of the Native — Book 2… (1878)

Hither the mistress, left neglected at home all the year, can steal and observe the development of the returned lover who has forgotten her, and think as she watches him over her prayer book that he may throb with a renewed fidelity when novelties have lost their charm. And hither a comparatively recent settler like Eustacia may betake herself to scrutinize the person of a native son who left home before her advent upon the scene, and consider if the friendship of his parents be worth cultivating during his next absence in order to secure a knowledge of him on his next return.
Source: Wikisource

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