Summary

Portrait of Thomas Hardy Thomas Hardy The Return of the Native — Book 4… (1878)

There is a certain degree and tone of light which tends to disturb the equilibrium of the senses, and to promote dangerously the tenderer moods; added to movement, it drives the emotions to rankness, the reason becoming sleepy and unperceiving in inverse proportion; and this light fell now upon these two from the disc of the moon. All the dancing girls felt the symptoms, but Eustacia most of all. The grass under their feet became trodden away, and the hard, beaten surface of the sod, when viewed aslant towards the moonlight, shone like a polished table.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy The Return of the Native — Book 4… (1878)

She had entered the dance from the troubled hours of her late life as one might enter a brilliant chamber after a night walk in a wood. Wildeve by himself would have been merely an agitation; Wildeve added to the dance, and the moonlight, and the secrecy, began to be a delight. Whether his personality supplied the greater part of this sweetly compounded feeling, or whether the dance and the scene weighed the more therein, was a nice point upon which Eustacia herself was entirely in a cloud.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy The Return of the Native — Book 4… (1878)

Eustacia arose, and walked beside him in the direction signified, brushing her way over the damping heath and fern, and followed by the strains of the merrymakers, who still kept up the dance. The moon had now waxed bright and silvery, but the heath was proof against such illumination, and there was to be observed the striking scene of a dark, rayless tract of country under an atmosphere charged from its zenith to its extremities with whitest light.
Source: Wikisource

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