Summary

Portrait of Thomas Hardy Thomas Hardy,  Under the Greenwood Tree — Part 1… (1872)

“ When the singing was in progress there was suddenly discovered to be a strong and shrill reinforcement from some point, ultimately found to be the school-girls’ aisle. At every attempt it grew bolder and more distinct. At the third time of singing, these intrusive feminine voices were as mighty as those of the regular singers; in fact, the flood of sound from this quarter assumed such an individuality, that it had a time, a key, almost a tune of its own, surging upwards when the gallery plunged downwards, and the reverse. ”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Under the Greenwood Tree — Part 1… (1872)

“ Spinks murmured.
“What I want to know is,” said the tranter (as if he knew already, but that civilization required the form of words) , “what business people have to tell maidens to sing like that when they don’t sit in a gallery, and never have entered one in their lives? That’s the question, my sonnies.”
“’Tis the gallery have got to sing, all the world knows,” said Mr. Penny. “Why, souls, what’s the use o’ the ancients spending scores of pounds to build galleries if people down in the lowest depths of the church sing like that at a moment’s notice?”
”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Under the Greenwood Tree — Part 1… (1872)

“ A new atmosphere seemed suddenly to be puffed into the ancient edifice by her movement, which made Dick’s body and soul tingle with novel sensations. Directed by Shiner, the churchwarden, she proceeded to the small aisle on the north side of the chancel, a spot now allotted to a throng of Sunday-school girls, and distinctly visible from the gallery-front by looking under the curve of the furthermost arch on that side. ”
Source: Wikisource

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