Théophile Gautier

Théophile Gautier

Summary

Portrait of Théophile Gautier Théophile Gautier The Mummy's Foot

Well satisfied with this embellishment, I went out with the gravity and pride becoming one who feels that he has the ineffable advantage over all the passers-by whom he elbows, of possessing a piece of the Princess Hermonthis, daughter of Pharaoh.
I looked upon all who did not possess, like myself, a paper-weight so authentically Egyptian as very ridiculous people, and it seemed to me that the proper occupation of every sensible man should consist in the mere fact of having a mummy's foot upon his desk.
Source: Gutenberg

Portrait of Théophile Gautier Théophile Gautier The Mummy's Foot

The heat of the room had warmed the natron, bitumen, and myrrh in which the paraschistes, who cut open the bodies of the dead, had bathed the corpse of the princess. It was a perfume at once sweet and penetrating, a perfume that four thousand years had not been able to dissipate.
The Dream of Egypt was Eternity. Her odours have the solidity of granite and endure as long.
Source: Gutenberg

Portrait of Théophile Gautier Théophile Gautier The Mummy's Foot

I was hesitating between a porcelain dragon, all constellated with warts, its mouth formidable with bristling tusks and ranges of teeth, and an abominable little Mexican fetich, representing the god Vitziliputzili au naturel, when I caught sight of a charming foot, which I at first took for a fragment of some antique Venus.
It had those beautiful ruddy and tawny tints that lend to Florentine bronze that warm living look so much preferable to the gray-green aspect of common bronzes, which might easily be mistaken for statues in a state of putrefaction.
Source: Gutenberg

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