Summary

Use of Mines in Trench Warfare…

A relief passing in the enemy trench or in his own trench at 40 meters sounds strangely like the noise of a pick. A man hitting a ground sill or striking it with his heel gives the idea that work is being done. The impact of bullets on the parapet at night, when a fusillade is uninterrupted, also gives the idea of underground work. A man filing a fuse at the foot of his loophole suggests the presence of an enemy revolving borer. A man who snores beside the gallery entrance imitates the noise of a ventilator and may be mistaken for it.
Source: Gutenberg

Use of Mines in Trench Warfare…

Their greatest defect is that they magnify sound too much and too many things are heard. Why hear for a distance of 100 meters when the enemy trench is only 40 meters away? Everything is heard in a mine gallery. It is difficult to distinguish among the many noises that of the enemy miner's pick. The ear is amply sufficient.
The beginner has a tendency to exaggerate the proximity of sounds. He thinks he is close to the enemy when he is still at a distance, and he takes steps to catch the enemy by exploding a camouflet, whose only effect is to retard his own work.
Source: Gutenberg

Use of Mines in Trench Warfare…

Four or five meters of enemy trench without loopholes, but with loopholes close together to the left and right, may mark a gallery entrance.
A miner's working relief reaches the gallery, each man carrying a piece of the frame or a lining plank over his shoulder, the ends of which can be seen over the parapet or through the loopholes. These are indications of a gallery position, especially if the men all move in the same direction and are lost to view at the same place.
Source: Gutenberg

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