Summary

Various The Brochure Series of Architectural Illustration…

The coat of arms of Jacques Cœur—three black cockle-shells and three crimson hearts, the latter in punning allusion to his name, with his motto "A vaillans cœurs rien impossible," the word "cœurs" being represented by two hearts—is frequently repeated in the carvings of the façade. Indeed everywhere throughout the building we find these emblems,—in the windows, in all the carvings, above the mantlepieces, even on the tiles of the roof, and the bell of the chapel; and the nail-heads of the door-fastenings are shaped like hearts.
Source: Gutenberg

Various The Brochure Series of Architectural Illustration…

Thereafter, however, Jacques Cœur appears to have cast about for a more honorable channel into which to direct his energy. Enterprising, keen-eyed, determined by some means or other to make his fortune, he naturally turned his face eastward. The trade between Europe and the Levant had never been more active than it was in the early part of the fifteenth century, in spite of the ecclesiastical restrictions laid upon it. For the Church, still dreaming of new crusades and a Christian rule in the Holy Land, censured all peaceful dealings with the infidel.
Source: Gutenberg

Various The Brochure Series of Architectural Illustration…

But the demand for Eastern luxuries—silks, gems, perfumes and spices—was immense, and the trade too lucrative to be renounced; and so Rome satisfied her conscience by allowing the traffic to be carried on by certain persons within certain well-defined limits, and was handsomely paid for the concession. The merchants of Montpellier in France had obtained a license from the pope to send one ship yearly to Eastern ports, and to their fraternity Jacques Cœur joined himself in 1432.
Source: Gutenberg

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