“ Cecilia laughed a little. ‘Why should you fear that?’ she asked. ‘Because I am extremely anxious for your good opinion,’ he replied,—‘and, of course, for Lady Eliza’s also.’ ‘I have no doubt you have got it,’ she said lightly. ‘You are not speaking for yourself, Miss Raeburn. I hope that you think well of me.’ ‘Your humility does you credit.’ ‘I wish you would be serious. It is hard to be set aside by those whom one wishes to please.’ ‘But I do not set you aside. You are speaking most absurdly, Mr. Fordyce,’ said Cecilia, who was growing impatient. ”
Violet Jacob
Summary
Violet Jacob’s The Interloper, published in the early 20th century, is a novel of emotional and social conflict centered on Cecilia Raeburn, whose relationships with figures like the mysterious Gilbert Speid, the ailing Lady Eliza, and the scheming Crauford Fordyce expose a tangled web of family discord and self-identity.
Themes of legacy, deceit, and the symbolic dovecot—repeated in key scenes—intersect with legal and ethical challenges, as characters confront societal norms and personal longings. The narrative, distinguished by moving dialogue and psychological insight, concludes with a convergence of destiny’s unyielding force and the delicate line between reality and illusion.
Quotes from The Interloper (Violet Jacob)
“ Do what you can to soothe her, Miss Raeburn, for I doubt if she will last the day; all we can hope for her now is an easy death.’ Lady Eliza lay with her eyes closed; as Cecilia entered she opened them and smiled. She went to the bed. ‘How tired you look,’ said Lady Eliza. ‘It will soon be over, my dear, and we shall have parted at last. Don’t cry, child. What a good girl you have been! Ah, my dear, I could die happy if it were not for you. I have nothing to leave you but a few pounds a year and my own belongings and the horses. Morphie will go to relations I have never seen. ”
“ The tempest of her feelings stifled all justice and all reason. ‘Why did you not take Crauford Fordyce, if your heart was set on leaving me?’ she cried. The thrust pierced Cecilia like a knife, but she knew that it was not the real Lady Eliza who had dealt it. ‘I did not care for him,’ she replied, ‘and I love Gilbert Speid.’ ‘He is not Gilbert Speid!’ burst out her companion; ‘he is no more Speid than you are! He is nothing of the sort; he is an impostor—a man of no name!’ ‘An impostor, ma’am?’ ‘His mother was a bad woman. I would rather see you dead than married to him! ”
