W. C. Tuttle

W. C. Tuttle

Summary

Portrait of W. C. Tuttle W. C. Tuttle Good Night, Knight (1919)

Reddy leaned against the side of the door and watched the Mexican approach. The poise of the body and the half-closed eye spelt treachery, but Reddy made no move.
₪ SUDDENLY, while yet a few steps away, a knife appeared in Pedro's right hand, and he flung himself forward like a cat. The Mexican takes naturally to a knife, preferring stealth and a quick slash to the fair and square, rough and tumble fight of red-blooded men and boys.
Source: Wikisource

Portrait of W. C. Tuttle W. C. Tuttle Good Night, Knight (1919)

Reddy told his troubles to his teacher.
"Something is eating that feller—sure," he added.
Miss Ashton patted him on the shoulder, and the act thrilled Reddy to the utter exclusion of other troubles. That evening Reddy rode almost to town before he remembered that the teacher had promised him a book to take to the ranch, so he swung his pinto around and galloped hack. He dropped off at the door and stepped inside.
Miss Ashton was standing hack of her desk, gazing with frightened eyes at Pedro ‘Mendoza, who was standing in the middle of the room.
Source: Wikisource

Portrait of W. C. Tuttle W. C. Tuttle Good Night, Knight (1919)

Anyway I hired to punch cows—not books."
"Dog-gondest little argufier I ever seen," declared Burns, helplessly. "Reckon we better spank him, Piegan!"
"Spank me?" gasped Reddy, "Me?" His right hand clenched into a knotty fist, and Burns and Waugh looked surprised and startled at his hostile attitude. "Start spanking!" he gritted. "Not while I can fight."
"Cut that out!" yelped Burns, "Dog-gone you, Reddy! You've associated with men too much. Some day you'll git yourself into a fine hot scrap and git a shiner, won't he Piegan?"
Source: Wikisource

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