Wilkie Collins

Wilkie Collins

Summary

Portrait of Wilkie Collins Wilkie Collins A Fair Penitent

Nobody who is at all acquainted with the social history of the eighteenth century in France, need be told that Mademoiselle Gautier had a long list of lovers,—for the most part, persons of quality, marshals, counts, and so forth. The only man, however, who really attached her to him, was an actor at the Théâtre François, a famous player in his day, named Quinault Dufresne. Mademoiselle Gautier seems to have loved him with all the ardour of her naturally passionate disposition.
Source: Gutenberg

Portrait of Wilkie Collins Wilkie Collins A Fair Penitent

Towards the end of her life, she was afflicted with blindness; but she was a trouble to no one in consequence of this affliction, for she continued, in spite of it, to clean her own cell, to make her own bed, and to cook her own food just as usual. One little characteristic vanity—harmless enough, surely?—remained with her to the last. She never forgot her own handsome face, which all Paris had admired in the by-gone time; and she contrived to get a dispensation from the Pope which allowed her to receive visitors in the convent parlour without a veil.
Source: Gutenberg

Portrait of Wilkie Collins Wilkie Collins A Fair Penitent

The very next day after my interview, I began to feel ashamed of my own cowardice; and the day after that I went down on my knees, exactly as he had predicted, and said, “Father Deveaux, give me back my cat-o’-nine-tails.” From that time I cheerfully underwent the discipline of flagellation, learning the regular method of practising it from the sisterhood, and feeling, in a spiritual point of view, immensely the better for it.
Source: Gutenberg

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