Summary

Portrait of Wilkie Collins Wilkie Collins John Jago's Ghost, or, The Dead Alive… (1876)

Death—shameful death on the scaffold—might be the terrible result of the consultation of the jury. "We have waited for news to come to us long enough," Naomi resumed. ""We must find the tracks of John Jago for ourselves. There is a week yet before the trial begins. "Who will help me to make enquiries? Will you be the man, friend Lefrank?"
It is needless to add (though I knew nothing would come of it) that I consented to be the man.
We arranged to apply that day for the order of admission to the prison, and, having seen Ambrose, to devote ourselves immediately to the contemplated search.
Source: Wikisource

Portrait of Wilkie Collins Wilkie Collins John Jago's Ghost, or, The Dead Alive… (1876)

Many idle letters reached us relating to the advertisement for John Jago; but no positive information was received. Not the slightest trace of the lost man turned up; not the shadow of a doubt was cast on the assertion of the prosecution, that his body had been destroyed in the kiln. Silas Meadowcroft held firmly to the horrible confession that he had made. His brother Ambrose, with equal resolution, asserted his innocence, and reiterated the statement which he had already advanced. At regular periods I accompanied Naomi to visit him in the prison.
Source: Wikisource

Portrait of Wilkie Collins Wilkie Collins John Jago's Ghost, or, The Dead Alive… (1876)

At Naomi's suggestion, we went to the prison to seek the explanation which was refused to us at the office. The gaoler on duty at the outer gate was one of Naomi's many admirers. He solved the mystery cautiously in a whisper. The sheriff and the governor of the prison were then speaking privately with Ambrose Meadowcroft in his cell: they had expressly directed that no persons should be admitted to see the prisoner that day but themselves.
Source: Wikisource

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