Summary

Portrait of Wilkie Collins Wilkie Collins John Jago's Ghost, or, The Dead Alive… (1876)

I rose to go up to my room. Everybody else in the farm had retired to bed, as usual, more than an hour since. The stillness in the house was breathless. I walked softly, by instinct, as I crossed the room to look out at the night. A lovely moonlight met my view: it was like the moonlight on the fatal evening when Naomi had met John Jago on the garden-walk.
Source: Wikisource

Portrait of Wilkie Collins Wilkie Collins John Jago's Ghost, or, The Dead Alive… (1876)

Cruel indifference to the injury and the suffering which his sudden absence might inflict on others, was plainly implied in his secret withdrawal from the farm. The same cruel indifference, pushed to a further extreme, might well lead him to press his proposals privately on Naomi, and to fix her acceptance of them as the price to be paid for saving her cousins' life.
To these conclusions I arrived after much thinking. I had determined, on Naomi's account, to clear the matter up; but it is only candid to add, that my doubts of John Jago's existence remained unshaken by the letter.
Source: Wikisource

Portrait of Wilkie Collins Wilkie Collins John Jago's Ghost, or, The Dead Alive… (1876)

Being asked in due form if they had anything to say in mitigation of their sentence, Ambrose and Silas solemnly declared their innocence, and publicly acknowledged that their respective confessions had been wrung from them with the hope of escaping the hangman's hands. This statement was not noticed by the bench. The prisoners were both sentenced to death.
On my return to the farm, I did not see Naomi. Miss Meadowcroft informed her of the result of the trial. Half an hour later, one of the women-servants handed to me an envelope bearing my name on it in Naomi's handwriting.
Source: Wikisource

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