William John Locke

William John Locke

Summary

Portrait of William John Locke William John Locke Derelicts

Men do not like crying, complaining women, thought poor Yvonne. Unless she was bright for him, he might grow tired of coming, and then she would be lonelier than before. So Yvonne told him little of the anxieties that lay like a dead weight upon her poor little soul and kept her awake at nights, amid the moans of the sleeping women, that sounded faint and ghostly in the dim ward.
Her patient acceptance of her lot won Joyce’s admiration. But of her real position he had no idea. The gentleman in him that had survived his shame and degradation forbade him to pry into her private affairs.
Source: Gutenberg

Portrait of William John Locke William John Locke Derelicts

He obeyed mechanically, mounted, turned the handle of the sitting-room door in silence, and descended again to the shop.
No sooner was he alone than a swift consciousness of his moral rout made him hot with shame and anger. His heart rose in fierce revolt. Yvonne was free. Free to marry whom she liked. What right over her had this man who had cast her off, spent two whole years at the other end of the world without once troubling to enquire after her welfare? What right had the man to come and rob him of the one blessing that life held for him?
Source: Gutenberg

Portrait of William John Locke William John Locke Derelicts

Joyce sketched rapidly the events that had led him back—the death of Noakes, the year of wretched apathy, the purchase of his book by the publishers, the craving for civilisation.
“So I sold out and came home,” he concluded. “I have been back a fortnight.”
“You must have been very sad at losing your friend,” said Yvonne. “Death is an awful, awful thing. Have you ever thought of it? A person is living and feeling, like you and me, to-day—and to-morrow—gone—out of the world—for ever and ever.”
Source: Gutenberg

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