William John Locke

William John Locke

Summary

Portrait of William John Locke William John Locke Stella Maris

Stella rose, and, clasping hands to her bosom, went to him.
“Belovedest, for Christ's sake, what is the end of all this?”
He halted and took her hands.
“Not shadows, not lies. Once I thought—indeed, I knew—you loved me. That was when you were an ignorant child. You loved some one you thought was me. Now your eyes are opened. You have passed through flames. Knowledge has come to you. You see me as I am, and your love has gone. I know, too, what I am. Unity has taught me. You can't—you don't love me, Stella.
Source: Gutenberg

Portrait of William John Locke William John Locke Stella Maris

She seemed to be living in an atmosphere of lies, from which her candid soul passionately revolted. She met them at every turn. Once more the world became the Threatening Land full of hidden ugliness, only awaiting opportunity to be revealed. The glamour of the last day or two in London had gone. When John Risca, truly her belovedest, when Walter Herold, whom in her simplicity she had regarded all her life less as a man than as a kind of Adonaïs spirit, when all, all she loved had lied to her persistently for years, to whom and to what could she pin her faith?
Source: Gutenberg

Portrait of William John Locke William John Locke Stella Maris

After leaving her at the hotel, Herold went home and suffered the torments of a soul on fire. Tragedy lay ahead. Stellamaris, star of the sea, steadfast as a star—he knew her. Love had come to her not in the fluttering Cupid guise in which he visits most of the sweet maidens among mortals, but in the strong, godlike essence in which alone he dare approach the great ones. The sea-foam and mist formed but a garment for this creature of infinite sky and eternal sea. They but shrouded or touched to glamour the elemental strength.
She had given her love to John Risca, her Great High Belovedest.
Source: Gutenberg

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