William McFee

William McFee

Summary

Portrait of William McFee William McFee A Port Said miscellany (1918)

A negro voice howls, ‘Yes, sah,’ and we go out and down the ladder.
A three-quarter moon is coming up, hangs now over Palestine, and Port Said, the ancient Pelusium, takes on a serene splendor inconceivable to those who have seen her only in the hard dusty glare of noon-day. The harsh outlines of the ships soften to vague shadows touched with silver; the profound gloom within the colonnades of the Canal building, the sheen of the moonlight on green domes and gray stucco walls make of it a fairy palace of mist and emerald.
Source: Gutenberg

Portrait of William McFee William McFee A Port Said miscellany (1918)

As they pass us, in twos and threes and singly, slouching and jingling their spurs, and roll off into darkness again, I think of Master Angus MacFadden and his chums, and I wonder what the 12future holds for us all. Then I hear Tommy talking and I begin to listen.
No use trying to tell the story as he told it. Whoever thinks he can, is the victim of an illusion. Tommy’s style, like his personality, is not literary. I often wonder, when I think of the sort of life he has led, how he comes to express himself at all.
Source: Gutenberg

Portrait of William McFee William McFee A Port Said miscellany (1918)

She extends beyond us and towers above us, and even the warm humid breeze of Port Said in August is shut out from us. Up from below comes a suffocating stench of hot bilge. The ship is invaded by a swarm of Arab cargo-men, who begin immediately to load us from our neighbor. Cargo lights, of a ghastly blue color, appear at the hatchways. Angus and his chums take up their kits and fall in on the bridge-deck. Officers hurry to and fro. Hatches are taken off, and the cold air of the holds comes up in thin wisps of fog into the tropic night.
Source: Gutenberg

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