Summary

William U. Moulton The Life and Beauties of Fanny Fern

Sarah Eldredge was now in the full flush and vigor of womanhood—and a widow! It is a wise provision of nature which ordains that the most deeply wounded heart shall not always bleed. Hope springs from the ashes of grief. Time buries the dead past, and lifts the curtain from the glowing future. Night comes, that another morning, with all its glory and freshness, may dawn upon the earth. Why then waste the energies of youth in mourning over graves? They will not give up their dead; already the spirit of the lost one looks down upon us from blissful spheres, and says, "Be happy!"
Source: Gutenberg

William U. Moulton The Life and Beauties of Fanny Fern

But Grace Clifford was a Christian. She had been early called to suffer; she knew who had mixed for her the cup of life, and she pushed it not away from her lips because the ingredients were bitter. She knew an ear that was never deaf to the orphan's cry, and that the promise 'When thy father and mother forsake thee,' was all her own to claim; and she rose from her knees with a brow calm as an angel's, a spirit girded for the conflict, and a peace that the world knoweth not of.
Source: Gutenberg

William U. Moulton The Life and Beauties of Fanny Fern

When her veil is up, you can see that she has a luscious cheek, large nose, slightly aquiline, mouth of character, if not of beauty, and a vigorous chin. Fanny isn't handsome, and never was. But she has a splendid form, a charming foot and ankle, a fascinating expression, and the manners of a queen.
Dress and equipage are not the least part of Fanny. She is as dependent upon these as a peacock upon his tail. She wears black because it becomes her better than any other color. A widow of forty—fair—in mourning—how interesting!
Source: Gutenberg

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